Juror | David L. Parker

Twentieth-century French photographer Henri Cartier-Bresson described   the   decisive   moment   as   ‘the    simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”

While the concept of the decisive moment is often associated with dynamic, synchronic activity captured in an instant - it may just as well apply to the photographic image that records a thoughtful moment of fleeting solitude or calm. All subjects, genres, capture types, black & white and monochromatic, traditional and non-traditional photographic and digital post-production processes are welcome for submission.

Juror | David L. Parker

Twentieth-century French photographer Henri Cartier-Bresson described   the   decisive   moment   as   ‘the    simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”

While the concept of the decisive moment is often associated with dynamic, synchronic activity captured in an instant - it may just as well apply to the photographic image that records a thoughtful moment of fleeting solitude or calm. All subjects, genres, capture types, black & white and monochromatic, traditional and non-traditional photographic and digital post-production processes are welcome for submission.

Juror | David L. Parker

Twentieth-century French photographer Henri Cartier-Bresson described   the   decisive   moment   as   ‘the    simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”

While the concept of the decisive moment is often associated with dynamic, synchronic activity captured in an instant - it may just as well apply to the photographic image that records a thoughtful moment of fleeting solitude or calm. All subjects, genres, capture types, black & white and monochromatic, traditional and non-traditional photographic and digital post-production processes are welcome for submission.