Juror | Emma Powell

The photograph’s power as a narrative tool is derived from the impression that what is captured within the frame is an accurate representation of what actually occurred at a specific moment in time. As complete or comprehensive as any narrative may appear to be, it will always be subject to a process of including some elements and excluding others. These inclusions and exclusion are a crucial part of what photographic storytelling is all about - What is being presented within the frame to the viewer – and what is being left out or left to the viewer’s imagination.

Praxis Gallery seeks the submission of photographic works that explore the development of visual narratives through the still image. Stories may take any shape or form; they may be literal or fantasy, documentary or fiction; complex or minimal. All genres, capture types, black & white and color, traditional and non-traditional photographic and digital post-production processes are welcome for submission.

Juror | Elizabeth Flinsch

Through the visual representation of abandoned spaces, artifacts of history are at once fresh and new, ancient and decayed. The past continues to live in these forsaken, ruined, or empty spaces and we ask— Who were the people who lived and worked here? What were their lives like? What were their stories? What happened to them in these spaces?

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Praxis Gallery seeks the submission of photographic art that explores the visual and social significance of abandoned space - where derelict factories, churches, private houses or other empty places serve as the basis for creative investigation. All genres, capture types, color and black & white, traditional and non-traditional photographic and digital post-production processes are welcome for submission.