 © Nancy Kaye |
|---|
 © Michael Potts |
 © Arthur Nager |
 © Angi Tianzhu |
 © Les Sharp |
 © Shahab Naseri |
 © Alfield Reeves |
 © Kevin Lyle |
 © John Kaminski |
 © Shifra Levyathan |
 © Shahab Naseri |
 © Jean Marc Bara |
 © Jeff Wiles |
 © Matthew Kamholtz |
 © Sisc Johnson |
 © William Bullard |
 © Carl Shubs |
 © Ada Trillo |
 © Bruce Haswell |
 © Sonia Goydenko |
 © Danielle Goldstein |
 © Brian Condron |
 © Jane Feely |
 © Dennis Darmek |
 © David Sladek |
 © Giuseppe Cardoni |
 © F. Emmanuel Bastien |
 © Sam Blair |
 © Sanja Buterin |
 © Karina Bikbulatova |
Juror | David L. Parker
Twentieth-century French photographer Henri Cartier-Bresson described the decisive moment as ‘the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”
While the concept of the decisive moment is often associated with dynamic, synchronic activity captured in an instant - it may just as well apply to the photographic image that records a thoughtful moment of fleeting solitude or calm. All subjects, genres, capture types, black & white and monochromatic, traditional and non-traditional photographic and digital post-production processes are welcome for submission.
© Nancy Kaye |
|---|
© Michael Potts |
© Arthur Nager |
© Angi Tianzhu |
© Les Sharp |
© Shahab Naseri |
© Alfield Reeves |
© Kevin Lyle |
© John Kaminski |
© Shifra Levyathan |
© Shahab Naseri |
© Jean Marc Bara |
© Jeff Wiles |
© Matthew Kamholtz |
© Sisc Johnson |
© William Bullard |
© Carl Shubs |
© Ada Trillo |
© Bruce Haswell |
© Sonia Goydenko |
© Danielle Goldstein |
© Brian Condron |
© Jane Feely |
© Dennis Darmek |
© David Sladek |
© Giuseppe Cardoni |
© F. Emmanuel Bastien |
© Sam Blair |
© Sanja Buterin |
© Karina Bikbulatova |
Juror | David L. Parker
Twentieth-century French photographer Henri Cartier-Bresson described the decisive moment as ‘the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”
While the concept of the decisive moment is often associated with dynamic, synchronic activity captured in an instant - it may just as well apply to the photographic image that records a thoughtful moment of fleeting solitude or calm. All subjects, genres, capture types, black & white and monochromatic, traditional and non-traditional photographic and digital post-production processes are welcome for submission.
Juror | David L. Parker
Twentieth-century French photographer Henri Cartier-Bresson described the decisive moment as ‘the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”
While the concept of the decisive moment is often associated with dynamic, synchronic activity captured in an instant - it may just as well apply to the photographic image that records a thoughtful moment of fleeting solitude or calm. All subjects, genres, capture types, black & white and monochromatic, traditional and non-traditional photographic and digital post-production processes are welcome for submission.
© Nancy Kaye |
|---|
© Michael Potts |
© Arthur Nager |
© Angi Tianzhu |
© Les Sharp |
© Shahab Naseri |
© Alfield Reeves |
© Kevin Lyle |
© John Kaminski |
© Shifra Levyathan |
© Shahab Naseri |
© Jean Marc Bara |
© Jeff Wiles |
© Matthew Kamholtz |
© Sisc Johnson |
© William Bullard |
© Carl Shubs |
© Ada Trillo |
© Bruce Haswell |
© Sonia Goydenko |
© Danielle Goldstein |
© Brian Condron |
© Jane Feely |
© Dennis Darmek |
© David Sladek |
© Giuseppe Cardoni |
© F. Emmanuel Bastien |
© Sam Blair |
© Sanja Buterin |
© Karina Bikbulatova |
Juror | David L. Parker
Twentieth-century French photographer Henri Cartier-Bresson described the decisive moment as ‘the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”
While the concept of the decisive moment is often associated with dynamic, synchronic activity captured in an instant - it may just as well apply to the photographic image that records a thoughtful moment of fleeting solitude or calm. All subjects, genres, capture types, black & white and monochromatic, traditional and non-traditional photographic and digital post-production processes are welcome for submission.
© Nancy Kaye |
|---|
© Michael Potts |
© Arthur Nager |
© Angi Tianzhu |
© Les Sharp |
© Shahab Naseri |
© Alfield Reeves |
© Kevin Lyle |
© John Kaminski |
© Shifra Levyathan |
© Shahab Naseri |
© Jean Marc Bara |
© Jeff Wiles |
© Matthew Kamholtz |
© Sisc Johnson |
© William Bullard |
© Carl Shubs |
© Ada Trillo |
© Bruce Haswell |
© Sonia Goydenko |
© Danielle Goldstein |
© Brian Condron |
© Jane Feely |
© Dennis Darmek |
© David Sladek |
© Giuseppe Cardoni |
© F. Emmanuel Bastien |
© Sam Blair |
© Sanja Buterin |
© Karina Bikbulatova |
Juror | David L. Parker
Twentieth-century French photographer Henri Cartier-Bresson described the decisive moment as ‘the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”
While the concept of the decisive moment is often associated with dynamic, synchronic activity captured in an instant - it may just as well apply to the photographic image that records a thoughtful moment of fleeting solitude or calm. All subjects, genres, capture types, black & white and monochromatic, traditional and non-traditional photographic and digital post-production processes are welcome for submission.
Juror | David L. Parker
Twentieth-century French photographer Henri Cartier-Bresson described the decisive moment as ‘the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”
While the concept of the decisive moment is often associated with dynamic, synchronic activity captured in an instant - it may just as well apply to the photographic image that records a thoughtful moment of fleeting solitude or calm. All subjects, genres, capture types, black & white and monochromatic, traditional and non-traditional photographic and digital post-production processes are welcome for submission.
PRAXIS GALLERY HOURS
COVID 19 RESPONSE
Dear Artists & Patrons,
Praxis Gallery is open by appointment Tuesday through Saturday from 12:00PM - 6:00 PM.
Our primary consideration is the health and well being of our artists and patrons. Appointments are limited to groups of ten or less. Masks are required. Thank you!
Stay safe!