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©	Leah Abrahams

© Leah Abrahams

©	Bonnie Bishop

© Bonnie Bishop

©	Bonnie Bishop

© Bonnie Bishop

©	Phil Calvit

© Phil Calvit

©	Phil Calvit

© Phil Calvit

©	Amy Cheney

© Amy Cheney

©	Maria C. Cremaschi

© Maria C. Cremaschi

©	Rosemary Ann Davis

© Rosemary Ann Davis

©	Rucheng Diao

© Rucheng Diao

©	Louise Fiore

© Louise Fiore

©	Glen Fisher

© Glen Fisher

©	Luciano Freaza

© Luciano Freaza

©	Luciano Freaza

© Luciano Freaza

©	Janelle Freiman

© Janelle Freiman

©	William Frucht

© William Frucht

©	Robyn B. Garnett

© Robyn B. Garnett

©	Porter Gifford

© Porter Gifford

©	Kylo-Patrick Hart

© Kylo-Patrick Hart

©	Tim Keane

© Tim Keane

©	CE Morse

© CE Morse

©	Cindy Murray

© Cindy Murray

©	Roy Ricci

© Roy Ricci

©	David L. Robertson

© David L. Robertson

©	Lawrence Russ

© Lawrence Russ

©	Mark Schacter

© Mark Schacter

©	Mark Schacter

© Mark Schacter

©	Jeff Schewe

© Jeff Schewe

©	Robert Silance

© Robert Silance

©	Rosa Strandemo

© Rosa Strandemo

©	Alan Strassman

© Alan Strassman

©	David J. Thompson

© David J. Thompson

©	Joanne Thompson

© Joanne Thompson

©	Joanne Thompson

© Joanne Thompson

©	Marcy Tilton

© Marcy Tilton

©	John Toohey

© John Toohey

©	Don Wheeler

© Don Wheeler

©	Terry Wild

© Terry Wild

©	Eric Zuccola

© Eric Zuccola

 International Juried Photography Exhibition

NUMBERS, SYMBOLS & LETTERS

 Opening Reception:  Mar 21, 6–8PM
Exhibition dates:  Mar 21 - Apr 11, 2026

Numbers, symbols, and letters move through daily life as systems of order, instruction, measurement, and belief. In this exhibition, juried by Dallas Crow, these familiar characters are released from their intended functions and encountered as visual form. Detached from language, they shift from carriers of information into shape, interval, repetition, and surface.

The selected works frame, isolate, interrupt, and recombine characters drawn from signage, architecture, printed matter, and found environments. Some are deliberately composed; others arise through chance discovery. Across approaches, emphasis rests on organization, rhythm, scale, and spatial relationships rather than readability. Meaning emerges not from what characters say, but from how they behave once freed from the work of saying. Juror | Dallas Crow

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